Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Four Corners is Australia's longest-running investigative journalism/current affairs television program. Broadcast on ABC1 in Australia, it premiered on 19 August 1961 and celebrated its 60th anniversary in 2021. Founding producer Robert Raymond and his successor Allan Ashbolt did much to set the ongoing tone of the program.Based on the Panorama concept, the program addresses a single issue in depth each week, showing either a locally produced program or a relevant documentary from overseas. The program has won many awards for investigative journalism, and broken many high-profile stories. A notable early example of this was the show's epoch-making 1962 exposé on the appalling living conditions endured by many Aboriginal Australians living in rural New South Wales.

Directed by Ian Gabriel, “Four Corners” revolves around a 13-year-old chess whiz drawn into the Cape Town’s well-known child-gang culture. Touted as the first film to delve into the 100-year-old war between South Africa’s so-called Number gangs, the 26 and the 28, it blends the Sabela, Tsotsi-taal and Cape Afrikaans dialects and mixes established talents with non-actors and first-time thesps from schools and communities across the Cape Flats.

Members of three Commonwealth armies, an Aussie, a Canadian, and a New Zealander meet actor Leslie Howard who buys them a beer and makes them understand why they're fighting.

The story of two boys coming from different social backgrounds: the sensitive loner Joschi who had to move with his father from a better district after his parents’ separation, and Niko, full of bravado, whose family came to Germany from Kazakhstan, staying out of the way of his drunken father. In the neighborhood cinema, the two friends secretly idolize the figure of a vampire up on the screen. In a magical twist, Count Karpatovicz steps out of the screen to help the boys realize Niko’s sister Tatjana’s dream of escaping from the confines of the rundown tenement to become a boxing champion.

A group of young adults spending a weekend together on a secluded island in Maine find themselves haunted by the choices they didn't make as they confront the meaning of love, friendship, and their lives in a world of virtual wonders and genetic cloning.

The film is based on documentary facts and tells the story of an officer in the Japanese General Staff who received the task under the name of Captain Rybnikov to infiltrate the military circles of St.Petersburg. It was exposed after the famous Tsushima battle of 1904, when Japan destroyed the entire Russian Far Eastern fleet.

Two sisters will have to fight to survive in their grandmother's farm, as the old lady is immersed in a curse that has been consuming her for years.

Oh, the woe of simultaneous birthdays, as were Mr. and Mrs. Hardlucks', and both being of a generous nature, were seized with an insatiable desire to make on this anniversary of their nativity suitable gifts, each to the other, Hardluck has a watch, but no fob. Mrs. Hardluck has a wealth of hair, but no decorative comb for her hair. What is worse, finances are low, or rather exhausted. An idea strikes Hardluck. He will pawn his watch and buy a comb; thus surprising her. Mrs. Hardluck's mind is also illumined by a bright thought. She will sacrifice her hair, and with the money buy him a fob. This they do, of course, unknown to each other. Well, here's the situation: He had no fob for his watch, and she no comb for her hair; but now he has no watch for his fob, and she has no hair for her comb.

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.